Showing posts with label writing. Show all posts
Showing posts with label writing. Show all posts

Thursday, April 23, 2015

Getting Rid by Jessica F. Ivins


Friends have talked of their own experiences and sister's experiences of abortion in the 50's. I never had an abortion but did become pregnant at seventeen. If I had lived in the 50's I am sure I would have had worse pressure from society. The fifties were a shaming society that let one know of their faults. One woman I spoke to sat in the abortion clinic in the 60's with her mom and got up and walked out the door. Her mother was ashamed of her and had taken her to the clinic.    I was advised by a co-worker to get an abortion and how easy it was. I never would have. To see what he is and has become is evidence that abortion kills. Children have a right to be here. Women hold that right for children. It is their job to protect that right for children.
This is the story of a girl, Carol, that needs an abortion. Little does she know that she is just following in her mother's footsteps.



Short Story: Getting Rid

"Look what I found! A Pete Alexander rookie card!" The boy could hardly contain himself.
"Where’d you get it!"
"It was at a pawn shop my brother works at. He got it for me! Who'd want to get rid of this?"
"Yes, sir-ee, he could pitch in to a tin can. You know he started with the Phillies back in 1911," the other boy kicked the dirt and reached for the card.
"No way, you can't hold it....Good Ol' Pete is mine and I'm not getting rid of him."

TWO WEEKS EARLIER

It had been another day of answering phones and listening to people request medical records for the returned veterans for Margaret. The repetition of the day carried on as she took the bus home and walked two blocks to her two bedroom house and two daughters. She hadn't gotten her hair done in over two years. She dreamed of the short hair cut with a saucer hat. That was about all she could dream about. Her thoughts were most often about how God had taken her husband and left her with two daughters.

Lucy and Carol worked down the street on a farm. They didn't grasp the idea that they were poor because it was all they knew their sixteen and fifteen years.  Margaret knew Lucy would help buy some groceries when she got paid. Carol, the first-born, not a chance.
Sweeping the floor for Margaret was like watching a somber dance. The same thoughts always came to her.

Lou was gone. I haven't had a man's touch since 1941. Why couldn't Carol or Lucy have been a boy? Her high button shoes and her dull grey dress danced around her selfish sad thoughts. Her shoes were just as ragged as her miserable life.

"I'm pregnant," a voice entered from behind.

Margaret stopped sweeping for a moment. The words were like a cold wind had just crept in and ruined her daily pattern. Margaret started sweeping again, continuing her drab thoughts of how this added to her nadir of life. Carol. Pregnant?

Carol waited for her mom to do something, or show some sort of emotion, None. Margaret stopped sweeping long enough for the words to enter her ears and then slowly started gathering the pile of dirt on the unfinished, worn hard wood floor. She wasn't finished sweeping, but her nightly routine of sweeping was suddenly disturbed by her daughter's cacophony of words.  There wasn't much dirt. But it only takes a little dirt to make the floor dusty. It only takes a word to change the feeling in the house. And it only takes one mistake to change a life. 

Margaret continued sweeping and turned her thoughts from herself to her daughter for a fleeting moment. Hadn't she inculcated the idea that education was important? She was barely seventeen.  How would she go to school and support a child.  The war was over and prices were rising.  Milk was now a quarter a jug. Why hadn't Carol learned from watching her mom struggle making $1.40 a hour. 

A tear slipped down Margaret's cheek.  Her thoughts completed the circle and returned to herself. The tear landed in the little pile of dirt as she stooped down to sweep it into the dust pan. Carol saw the tear hit the floor.  She had never seen her mom cry before. Carol thought her mom was incapable of crying since she never saw a tear when father died. It was as though her mom had wanted him to die. She had seen her mother be turned down at the grocery mart to charge milk, lay in her bed for two days without eating, but she never cried. It was almost a relief to see her mom cry, but she wanted more than a tear. She wanted help. She wanted comfort. Guidance.
. 
Margaret had cried plenty when she was in high school and determined that it didn't do any good. That man she called her husband was nothing more than a paycheck. He was going to be shipped out and took Margaret out on one last date. He had forced himself on her virgin body and she became pregnant. She took hot bathes and hot douches that burned her insides. It was done. She was pregnant and nothing could rid that baby inside her. She waited three months for him to come back and told him. It was all she could do. There were married two weeks later and Margaret hid this secret of 1916 from everyone, especially her daughters. 

Carol tried to be palliative. "Here, let me do that." She bent down to take the dust pan. 
It wasn't going to make the pain any less.  Just the sound of Carols voice was like a dagger in Margaret's heart. She remembered when Lou had taken her to the building in New York after they were married. He said he was goin' to fix things.  It was more acceptable then that a married couple do this sort of thing. Lou had told his buddies he "got'er fixed.  Margaret had tried to not think about it since. The splintered wooden desk with her legs spread for the woman.  Lou told her to lie and say that she didn't feel the baby moving inside of her. She wanted to run, run out the door and never see Lou again. Anna Johnson ended up dead, maybe she would too? She tried to bring void to her mind. Lou always got what he wanted. He didn't even like spending money, but he came up with the forty dollars for the deed. 

To have the same thing happen to her daughter brought anguish. She pictured herself watching the baby and how dreadful it would be for everyone. Just when Margaret thought life couldn't get worse it did. Abortions were at least more acceptable for Margaret's mother, but since Dr. Johnson came around forty plus years ago, he convinced everyone it was murder. 
How much could an abortion be now. She tried to erase the thoughts from her hapless mind. She didn't even have money for butter. 

Swish, Swish

The broom broke the silence. Carol was still standing watching her mom. She stood for a moment holding the dust pan. Nothing. Couldn't Margaret at least shout at her. What have you done? Why? But, nothing. Carol walked to the kitchen in the silence and dropped the dirt from the floor into the tin trash can. The sound trickled as it finally hit the bottom. 
Margaret when to bed early that night. It was Carol's turn to put the dirt in the trash can. She knew what her mother wanted her to do.

Carol had heard of a midwife in Delaware that could, "fix'er." She talked to Steven about driving her down south. He said he couldn't miss any school or his dad would whip 'em. Carol threatened to tell his parents. This quickly changed his childish mind to the more prominent problem. Punishment for skipping school was more desirable than a pregnant girl. It would take nearly four hours to drive to Delaware over the Delaware River Bridge. 

"We need fifty dollars." She looked him in the eyes to be sure he heard. 

"Where do you expect that kind of money?" He put his hand to his sweater vest and shook his head. 

“I can't wait any longer, I'll be quickening." She quietly said and looked down ashamed.

Steven had a quizzical look on his face. "What's quickening?"

"When I can feel the baby move. I have to do it before." She looked behind her to see if anyone was near. She knew nobody was near, but it was a nervous habit. All she could see were the trees crowding in on her and suffocating her every word.

Steven's baby face resolved. "Okay, I'll get the money."

Then he mumbled, "There goes my Pete Alexander rookie card." He kicked the dirt. He thought of his grandpa giving him that card on a Sunday. Grandpa always caught the foul ball from behind home plate. He had went to ever Phillies game and told Steven to never get rid of it.  

Carol didn't wait for him to have a moment of sympathy over a baseball card. She wanted Friday to be here now. She hated the thought of a baby inside of her. Everybody always knew somebody that had had an abortion and now, that someone, was Carol.

One can't wait for spring to come after a long hard winter. Especially a Northeastern winter. Friday seemed to be that spring that Carol was waiting for, but it wouldn't hurry. It was only March. The day began dark and cold as most do in March. A storm had come in during the night and brought howling winds and dark clouds. Carol's mom went to work as she did every day. She walked to the bus stop and waited for the bus to take her to Philly.  She never strayed from her routine of nodding to the bus driver with her melancholy smile- if you could call it a smile.

The 1935 Ford pickup truck finally arrived. It was Steven's dad's, but he let him drive it on some Friday's because he had meetings. Steven had unplugged the mileage so his dad wouldn't notice that he drove to Delaware. If Stevern could take it back he would. He tried to tell himself that he was a man for taking care of business. For some reason, he felt like a little boy trying to hide the broken vase from a mom. His parents were well known in the town and he knew that he'd better take care of business. His mother knew every disciple at Saint Peter's Church and his father was on the township board. His parents would be utterly embarrassed if Steven was not the perfect baby boy they had raised. Steven was their oldest, and the younger sister looked up to Peter for his wonderful singing voice in church.

The midwife that her friend's cousin had went to was more difficult to find than the secret bases the Soviet Union were setting up. The first address Carol was given was a pharmacy. The cashier was a nice man with greased back hair. He was young. 

Carol whispered, "I need to get fixed." 

The young man didn't flinch, he found for the pharmacist and handed him a pencil and paper. They gave a tacit nod and the pharmacist began writing the address. 

401 South Derry Drive Apt B

He wrote it fast and Steven disrupted the exchange like a dull awl, "Are you sure this is the address?" 

The man didn't listen he just turned around and went back to work. She knew it was in Delaware. The only bridge was the Delaware River Bridge. They could take the New Castle Pennsville ferry, but it would take forty-five minutes just to cross the river. The ride was full of nonplussed air.

Mme Bryan- the sign read in the front grass square. They parked across the street and walked to apartment B to find another sign: Please use back door. The words were painted with white paint and the B was washed away. 

"Do you want me to wait in the car?" Steven said hoping that Carol would say yes.

"I didn't make this thing by myself, and I won't get rid of it by myself." Carol didn't give him a chance to reply with his talk through his hat.

The door squeaked as they opened it. it was a kitchen without a table and four wooden chairs for a make-shift waiting room. A woman was knitting. Carol peered around the corner and a bedroom door shut in a hurry. A big woman with an apron came out and said, "Have a seat. I'll be out in a minute." 

The knitting woman never looked up. She simply said in a monotone voice, "It's quicker than a hog eatin' brock."

Carol sat on the chair thinking of the other women that had been her. Should she feel guilty? Was this the girl’s mom knitting? Would she feel better if her mom had come? 

It was past the 1800's when everyone knew what an abortion was, a form of birth control. It wasn't until the 1900's it was called infanticide. Carol kept her ear keen to the door opening. She was nervous when it did open.  The heavy woman washed her hands in the kitchen and said to the knitting woman in a warm Irish accent, "She needs a wee bit of rest. It's well if ya' want to stay the night." 

"We will leave. Thank you Ms. Bryan. How much do I owe you? "The knitter said.

"No payment till she's ready to leave."

The Irish woman turned to Carol. "Come on back me lad." She smiled as to offer comfort.

Steven stayed glued to his seat. Carol walked to the room and the door closed. Steven sat thinking of where his Ol' Pete card was by now. The pawn shop probably had sold it by now. 

Carol took a seat in the lone chair in the small bedroom.

"Ya don't need to tell me too much- 'bout how far along are'ya?"

"Probably eight weeks." Carol looked at the wooden brown desk  and then out the window to the pelting rainstorm. The storm in Jersey had caught up to them in Delaware. 

"Britches down and on me desk. Put the wee blanket over your bottom half." 

She turned and got a curette. It looked like a giant silver bobby pin. Carol kept her eyes on the ceiling and feeling every touch, every sensation, every pain. While starring at the ceiling she noticed a water leak. It simply was a dark spot that was obviously from the pounding rain. The water spot slowly grew from a pin tip size to a penny in a matter of seconds. 

Ms. Bryan brought herself back to a standing position. "Rest for a moment dear." Carol laid there waiting for the uncomfortable pain inside of her to go away. The midwife took the wooden bucket out of the room. The flushing toilet sound told Carol it was done.

After fifteen minutes Carol tried to tell herself the pain was better. She held a cloth between her legs.

"The bleeding will stop soon dear." She smiled comfortlessly. 

He held his jacket over her shoulders as she walked carefully to the truck. He took the ferry back. Carol was asleep for the drive home so it didn't matter anyway. When they pulled up to the little ranch house it was only almost four. It was a long drive. The towel between her legs was now heavy and warm. 

"Sorry." Steven said as he opened the truck door for her. 

She dragged her baby-less body to the humble home. Steven watched her until the door closed. The sun had just shown it's face for the first time that day. Carol plopped on the couch and didn't move. She fell fast asleep. Steven quickly drove for the pawn shop.  He hoped he could still get the card. He wondered why the abortion didn't cost a thing, but all he wanted was his Pete Alexander rookie card. 

"Do you still have the my card?" Steven asked as if he was a 10 year old boy again. 

The man chuckled, "That card was gone the day we got it. I bought it for my little brother. Sorry about your bad luck." The pawn shop worker turned, "but we have a DeMaggio guy from the Boston Bees.  It's the only rookie card I have."

"No thanks, it was my grandpa's card. 

"Why'd you get rid of that?" The man said to deaf ears. Steven walked out without saying a word.

Carol lay on the couch as the bleeding became heavier. She woke up once to a thought of relief.  It was done. Her mom came home at 5:15 every evening, but she was late that day due to flooding from the rain. Carol was lying on the couch when she walked in.

"Hi dear. Where is your sister?" She walked to the kitchen to get the broom. 

Margaret began sweeping but there wasn't much dirt on the floor today, the rain had settled the dirt. She started thinking about her Lou, and how he had done the family wrong.  She was so wrapped in her thoughts that she didn't notice that Carol never answered her. 



Monday, June 17, 2013

Writing and Illustrating for Young Readers

TODAY was the first day at my first conference. It has already done what I wanted it to do. What is that? you may ask.
Given me HOPE again. I had almost given up and had I not signed up in January, I would have never gone in June.

I want to ditch my first novel because I see some things wrong. I could fix it, but I get too excited to move on to my next idea because I see all the things I'd do differently.
Some questions to ask yourself if you are writing and write it down!...


1. What is your plot? What happens?

2. What is your story? Who is it about?

3. Tell me about your favorite character in two lines.

4. Why should someone care for your character?

5. What does the character figure out in the end that he didn't know he was going to find out?     (emotional conflict).

6.) What is the concrete conflict?

7.) Does the concrete conflict tie into the emotional conflict?

8.) What happens if the main character doesn't resolve that concrete conflict? What if he doesn't relize his emotional conflict, what happens? (there must me something that happens or the reader is not vested)

Thanks Kris Chandler for a great first day!

I learned that I have too many sub-plots going on in my first book. I think I have so many things to say I thought I'd do it in one novel. Too hard to write and too confusing for readers.

And my daily gem I took from today is.....write down what your story is about in 25 words! or less.

 

Friday, March 29, 2013

Literal Latte Literary Magazine Submission

There are a million Literary Magazines out there. I found this one and will submit my first short story with hopes of publication. I would love to win the Pushcart Award, but that may be pushing it...pun on words.

It is on abortion in the 1930's. It was fascinating to write and learn what I thought I knew.
I was a teen that was pregnant, so that part of the story came from personal experience. I did not get an abortion though. The story started out in the modern world of abortion and clinics and quickly changed to the 1930's. The reason it was so easy for me to write about this was through conversations with my dear old friend, who was Spanish, Irish, and French. She was born in 1940. Her sister had went to Delaware for an abortion.

It takes place in 1937, after WWII, when the number of unwed women getting abortion were rising. This is compared to pre-WWII when it was mostly married women and a form of birth control. It captures the feelings of abortion, which was not much guilt. It was a matter of fact act. But, the death of abortion was a very real thing. In 1915 death of Anna Johnson, to a doctor perforating a girls uterus and pulling out her intestines were just a few of the stories told. It was an era that women did not discuss there sexual organs or abortion in public. You just didn't.

I will let you know if it makes it to the magazine!!

Monday, March 18, 2013

Don't Go It Alone

Whoever heard of a great Baker without the help of an oven.
Or the momentous Speech with out the help of a mouth.
Or the Swimmer without water to glide in.
Or the man who doesn't pray.
For only the fool thinks he can do it alone.
For you see, we do nothing a lone.
The writer has his pen.
The Entrepreneur has his customers.
The best Cardiologist uses an EKG machine.
The Pianist would be nothing with out the keys.
The Child his mother.
God has his prophets.
The Greats all had support.
They didn't go it alone. 

Thursday, February 28, 2013

Writing a Synopsis

One of the most important parts of sending in a manuscript is the synopsis. I am still editing. I have edited two times. I am on my third. It is exausting. I keep adding things and taking away and finding little mistakes. It is tedious. I feel like I may be able to move on to the next phase of getting ready to send in my cover letter (resume), synopsis, and manuscript.

This is a helpful website. I had wished I could see a successful synopsis and it is here. I am still just investigating all of the recommended sites, but so far, so good.
Tell me, are you writing? What brought you to this blog?
Click here
http://www.charlottedillon.com/synopsis.html

Thursday, January 24, 2013

If Bugers were Bad Thoughts...



Babies are taught how to get 'em,
Other kids eat 'em.
Adults are ashamed to pick 'em
old people dig for  'em,

It begins with dirt,
And then starts to grow,
Getting bigger and greener,
Some runny, some  puddy.

The nose is the entrance,
Sometimes we can dodge it
That thought goes to our brain,
And turns into bad logic.

Kids come from heaven,
And cleanin' it comes natural.
Then the kid feels the itch
They've got to get it, it's just factual.

Some little ones know the pointer,
Others are shown the perfect fit.
Mothers despise the missing joint,
And sometimes use their spit.

Kids show no shame,
Placin' those bad thoughts,
Right to their mouth for pain,
It's not sugar stirrin' in that pot.

By time the child is taught
It's not proper decorum,
He is like the rest of the adults
thinkin' he will just conform.

One exception is Hillary Clinton
She is one adult caught pickin'.
That can only mean one thing
She's got more then Bill Clinton.







The old man driving next to you
Was holding nothing back,
When he stuck his finger in,
You'd think he lost his tack.


If you have a lot you're told,
Don't let those bad thoughts test 'er.
I see no shame in babies and old,
Gettin' 'em before they fester!


Old and young you can get them,
You left your maker and headin' there.
In between, you've got to control em'
Just use a tissue, show you care.






Tuesday, January 22, 2013

Genre

Fiction
Non-Fiction
Flash Fiction
Flash Non-Fiction
Mystery
Realistic Fiction
Verse Novel
Fantasy








Name your Genre: I just learned about flash focus...There are so many!!!!!!!!!!!!

Monday, January 7, 2013

Grandma's Afternoon Dowry

I just submitted, via email, to SteppingStones. It is a children's picture book about Erman's mother's dowry. She was the last one in that generation to follow the tradition of the dowry. It is most important to remember it as a tradition that is past and to tell our children about it.

I will also submit it to Lee and Low, a multi-cultural, book publishing agent.

This book was done with the help of my wonderful husband. He helped out with the Apache words! and is very creative! Thanks Erman for your help.

And especially grateful to the time we had with his parents while we were in New Mexico.

Monday, December 3, 2012

Why Be a Writer?


Why I write:

1.) love challenges
2.) found out I loved to read books
3.) Actually learned the English Rules from Shirley English (yea, the kids curriculum. She sings songs too.."A verb shows action there's no doubt, like sing and shout...")

I never, ever, thought I would have the desire to write. I went to college and my first writing class I barely got a C.( I was 16 years old by the way, and hated high school, that is another story). My teacher never liked anything I wrote. Of course I thought it was great! I remember one time I went to class without my English book and the teacher told me to leave the class until I got my book. I hadn't purchased it because I didn't have the money yet, and I was trying not to use my credit card. Well, I left class and decided to use my credit card and went right back to class. She didn't have anything to say when I walked in with my book and maybe that is why I got a C in the class.

I don't remember every reading a great book in school. I don't remember reading much at all. When I started reading with my kids I was opened up to a whole new world. The first chapter book I read with my son was "20,000 Leagues Under the Sea." I loved it! I started reading picture book to chapter books, and then I actually read my first adult novel. I found that I prefer the Young Adult genre. I love children's books! I started back to college in 2000 and didn't know what I wanted to do. I just kept taking classes and then I took a Children's Literature course. I loved it. I kept the book. "Through the Eyes of a Child." Then I just kept taking whatever Literature courses I could find...Jane Austin (never heard of her before that. I know sad.) American Literature, African Literature. I succumbed to the love of words on paper.

I think that I like challenges in life. If someone tells me I can't do it, then I try harder. I starting liking English when I started teaching my kids English. Now I understood a run on sentence, a prepositional phrase, and why we don't say double negative with the wrong pronoun, "He don't know nobody." (not that I use to write like that, but I am one of those that has to be told something more than, just because.)



Although, this time I had nothing but support from my hubby. He always told me I could do it.


I printed it all out! 99 pages! Single space. I am so exciting. I have started the editing phase after letting it rest for a week. I tried to let it rest two weeks,  but I am short on time. I want to be done before Christmas. I want to read it to my kids. I don't know how people can write a chapter at a time and let people read it because there are so many changes. Maybe I am just a really bad writer? I find it so fun to put all the connections together and add new concepts.

After that it is off to the agents! I need a list. I know the the new book with agents is out. I don't know if I will go off my list or get the book? I still wished I had the moula to make it to NY for the SCBWI Conference. But that will not be happening. That's okay. Until the next post, which may not be until February, wish me luck. If you never hear from me...I was horribly rejected and started a new project. If I muster up enough pride to come back on I will let you know. I just can 't stop writing because I like it too much!

By the way, I was always voted best improved in what ever I tried to do. Speech class, writing class. So, I wish I could just start out the best, but that is the fun of adventures, getting better. It would be boring if I was great to start out with, right? Okay, that is what I tell myself.

Friday, November 16, 2012

Curse Words in Writing

If you have ever read "Under the Never Sky" by Verionica Rossi, there is one character that is referred to this way: "....and he cursed". I read this at least 15 times for the same character. If I read it one more time I may curse! Needless to say,, I was glad that the author didn't put in curse words, probably because she would limit her audience, but couldn't she come up with something else besides..."...and he cursed".  Other than that it was a great book, with great story (and I really actually liked the character that cursed a lot.)
In the Children's Writer, December 2012 Issue (I get it now because I entered two short stories!) I have enjoyed it and found this helpful:

By Veda Boyd JonesMy friend Brendan, a brand-new teacher, sat at my dinner table complaining that a novel for junior high readers was totally unrealistic.
    “There’s no way a juvenile delinquent would talk like that. His language would be full of words like  *!&**## and $^*&$* and %(^*#. (Substitutes are mine.) Your ears would turn blue if you heard the kids talk in our school hallways, and they’re not in trouble with the law.”
   “That may be,” I said in the tone I reserve for talking to young friends I have known since their birth and who should not be cussing in front of me, “but the first reader of a novel is an editor and once it’s in print, the next readers are reviewers and librarians, and they are not going to buy a kids’ book full of profanity. And I won’t even address the role of irate school boards.”
    “But it’s not right,” he said.
    “It’s not accurate, but that’s where substitute fricatives come in.”
    “Fricatives?”
    “Phooey. Don’t tell me you’ve never heard of fricatives? Shoot, they’re such wonderful words.”
What the Fricative?In the gentle way I have of talking to know-it-all whippersnappers the ages of my sons, I explained about aggressive consonant sounds (p, f, b, d, k, sh, etc.). When you say them, parts of the vocal apparatus (lips, tongue, teeth, and palate) block air and make you push it through a narrow gap to make the sound. Forcing the air out causes friction, thus the name fricative. Once you get one of those suckers out, you feel immensely better. Our best curse words contain fricatives.
    Of course, there are technical terms for each of the five combinations of vocal apparatus that constrict the airflow, but I did not flaunt that knowledge to the kid.
~ The lip and teeth combination makes the f in fire and the v in very.
~ The tongue and teeth combination makes the sound th in math and this.
~ The tongue and alveolar ridge (the ridge behind the upper front teeth) combination makes the sin say and the z in zebra.
~ The tongue and palate (roof of the mouth) combination makes the sh and zh sounds in shoe,machine, azure, and rouge.
~ The glottis (the area of the windpipe behind the tongue) makes the sound of the h in happy andhello.
    Note, these examples are not bad words (well, math may be to some people). But the tone we use saying them may help us express our attitudes and emotions.
Frankly, My DearMy librarian friend Carolyn, an expert on Margaret Mitchell’s Gone With the Wind, says that the movie folks added the punch to Rhett’s farewell speech to Scarlett when they added the word frankly to Mitchell’s dialogue.  In “Frankly, my dear, I don’t give a damn,” it is that wonderful fricative f in franklythat stings.
    Carolyn swears that scientific studies have been done that prove using fricatives causes the part of the brain called the amygdala to jump into action, flooding the senses with hormonal superpowers. The conclusion of more than one study: People who swear reduce their stress and heighten their pain tolerance.
    Why not run your own little scientific test? Hit your left thumb with a hammer, and say, “That frickinghurts!” Then hit your right thumb with the same hammer (for a controlled study) and say, “Oh, dear, it hurts!” Really, which felt better?
    Of course, Carolyn pointed out, nobody beats William Shakespeare when it comes to using colorful language, and he created effective phrases without stooping to words that would be banned in print for middle-grade students. Take Queen Margaret calling Richard III to his face a “poisonous bunch-back’d toad” (Richard III, Act 1, Scene 3, line 247). And there is one of Falstaff’s fellow drinkers calling other drunks “these mad mustachio purple-hued maltworms” (Henry IV, Part 1, Act 2, Scene 1, lines 74-75). In another example from Henry IV, Prince Hal calls a tradesman a “leathern-jerkin, crystal-button, not-pated, agate-ring, puke-stocking, caddis-garter, smooth-tongue, Spanish pouch” (Act 2, Scene 4, lines 68-70). 
    Today’s children’s writers could replace cuss words with fricatives in a humorous way with more up-to-date language. I asked my Wednesday lunch group writers for examples of fricatives, and we sat around the table swearing like sailors in friendly language: from son of a biscuit eater to dagnabit to simple words like fudge, shucks, and featherhead. One writer reminded us that a current phrase used by kids when aggravated in the presence of adults is shut the front door.
    There are tons of possibilities for giving characters words they could use for fun and as an outlet for their frustrations that will pass that first editor’s desk. Be as creative as the Bard, that sour-pussed, fret-minded Brit.

Tuesday, October 30, 2012

Garth Nix : How to write

I love reading up on biographies of authors and seeing just how they write, what inspires them, and how they got published! I like authors that cover these topics because some authors are very stingy with their writing process or do not tell about the rejections they got. Why are rejections important, because they give me hope that an author like J.K. Rowling was rejected 12 times for Harry Potter.

This is about Garth Nix writing technique. He shared in depth how he writes. Everyone has their own style, however, for many of his ways I was saying, "yeah, me too." So here it is and the website:

http://www.garthnix.com/writing.html


How I Write: The Process of Creating a Book


This is a brief overview of how I go about writing a book, which may well be quite different from many other writers and different to how you like to work yourself. However, in amongst the cries of 'how could he work like that!' there may be some useful pieces of information to help with your own writing.
To me, there are really four stages to writing a book, though they do overlap each other, swap places at times or even take over for far longer than they should. These stages are: thinking, planning, writing and revising.

Thinking

Most of my books seem to stem from a single image or thought that lodges in my brain and slowly grows into something that needs to be expressed. That thought may be a 'what if?' or perhaps just an image. Sabriel largely began from a photograph I saw of Hadrian's Wall, which had a green lawn in front of it and snow on the hills behind it. Many other thoughts, conscious or otherwise, grew out, upon and over that single image, both before and during the writing of the book.
Typically I seem to think about a book for a year or so before I actually start writing. In this thinking stage, I often write a few key points in my 'ideas' notebook. Here's a sample page from that ideas book, with some jottings for an epic fantasy I may some day get around to writing called The Heartshaped Face of an Owl:
 At this stage, I merely put down bullet points or mnemonics that will remind me of what I was thinking. This can be very useful later on, particularly if the gestation period for a book is several years.

Planning

For all my longer works (i.e. the novels) I write chapter outlines so I can have the pleasure of departing from them later on. Actually, while I always do depart from them, writing a chapter outline is a great discipline for thinking out the story and it also provides a road map or central skeleton you can come back to if you get lost. I often write the prologue or initial chapter first to get the impetus for the story going and then write the outline. Usually, I have to write a revised chapter outline two or three times in the course of writing the whole book, but once again it does focus the mind on where the story is going and where you want it to go.
Here's an example of the very first chapter outline for Sabriel. For those who've read the book, you can see it is very different. Then there is the second chapter outline, which I wrote about a third of the way through, which is closer to the end product.
First Chapter Outline
Revised Chapter Outline
(the first of three, this one written after I’d finished chapter seven and only looking ahead about seven chapters)

Writing

Short stories, articles and items on my website I type straight into the computer (mostly a Macintosh, though I also use a PC) in Microsoft Word. However, I write the novels longhand first. Nowadays I use a Waterman fountain pen (for Shade's Children and Lirael), though I used felt-tips earlier.
The advantages of writing longhand are several, at least for me. First of all, I write in relatively small handbound notebooks which are much more transportable than any sort of computer, particularly since you can take them away for several weeks without having to consider power supplies, batteries or printing out. Parts of Sabriel, for example, were written on a trip through the Middle East. Parts of Shade's Children and Sabriel were written at the beach.
The other major advantage is that when I type up a chapter from my notebook, I rewrite as I type, so the first print-out is actually a second draft. Sometimes I change it quite a lot, sometimes not so much, but it gives me a distinctive and separate stage where I can revise.
The first page of the first chapter of Sabriel (as opposed to the prologue, which I wrote earlier, before I did my chapter outline) was actually written in a spiral-bound notebook, which I tore out and pasted into my preferred black and red notebook (8 1/4" x 6 1/4"or 210mm x 160mm 'sewn memo book'). Here it is:

At the typing stage, I cleaned up the writing a bit and it had further minor revisions later, but in this case at least, it stayed much the same. Here is the typed page of the manuscript, as it went to the publisher.

Which brings me to revising.

REVISING
As I said, when I type the handwritten words, I am also carrying out my first major stage of revision. However, I usually have to go through at least two revision stages after that. The first of these is when I first print out the typed chapter. I go through it and make changes in pen, which I will take in later. The second stage (and sometimes a third time as well) occurs when the entire manuscript is finished for the first time. I leave that big, beautiful pile of print-out on the shelf for a few weeks, then sit down and read the whole thing, making corrections as I go.
Finally, I bundle the ms. off to my Australian and US publishers and wait for their reaction(s), which generally will include some suggestions for revision and occasionally a request for rewriting. Sometimes these will be good, worthwhile changes and I take them in. Sometimes they are not, and I argue about them and -- unless I can be convinced otherwise -- refuse to alter the text. Basically, I try and keep an open mind, since there is nearly always room for improvement.
KEEPING MOTIVATED
I'm often asked by would-be writers how I can write a full-length novel which takes a year or more to get done. My stock answer is that I never sit down and think 'I have to write a novel today'. I sit down and think 'I have to write a chapter', or 'revise a chapter' or 'finish the chapter'. That way, it's only ever 2,500-5,000 words that are the immediate goal.
As a further motivational gimmick, I always use the word count utility when I've finished typing a chapter, and write that down, with a running total of words and the date in the front of my first notebook for the current work (each novel takes between five and six of those red and black numbers). I also write down the music I've been listening to as I write and anything else that might be interesting to look back upon. Like the fact that I uploaded my first home page on 19 April 1996!
Here's the word count summary from Shade's Children (which is about 20,000 words shorter than Sabriel and 35,000shorter than Lirael).
The word count is a relatively small thing, but it has an amazing psychological effect, particularly as more and more chapters appear and the word total grows. I find it very encouraging, particularly in the first third of the book, which always seems to take me half the time.
SUMMARY
Here are several one liners which sum up my writing philosophy. Some I've made up and some are probably paraphrases of other people's sayings, only I can't remember who said them.
'You can't write if you don't read.'
'Just write one chapter at a time and one day you'll be surprised by your own finished novel.'
'Writing anything is better than not writing something perfect.'
'Read, write, revise, submit, repeat.'
'Never believe the first twenty publishers who reject your work. For the twenty-first, submit something new.'
'A goatee and a garret are all very well, but you have to actually write to be a writer.'